Olympus – Shaun Madill Photography

Negatives, and Positives. Using Film.

Back in March I had another go at fixing my 1970s’ OM10. The winding mechanism wasn’t moving properly, but I got it going and popped in a roll of Ilford film I had knocking around the house.

I didn’t invest a lot of time in taking photos with it as I wasn’t 100% sure I’d got it working. So, it’s mostly snaps of the dogs – they’re such good models!

Thankfully, it’s working and this time I got some actual images back. There were some valuable lessons in there. Firstly, the film ISO is important. I didn’t think about that and just assumed something at 400 ISO would suit most situations, but this particular film seemed more suited for darker lighting conditions. There’s a lot of grain where the images are bright. Next, (and this should have been obvious), no RAW for editing means that you really have to get a lot right in camera.

The biggest lesson – film photography is expensive. A 36 exposure film is around £10, developing is anywhere between £15 and £20. That’s up to £35 for a roll of film. Another reason you can’t afford to go wrong.

We’re so lucky to live in a time where digital photography exists. We can afford to mess up, and the only thing we will waste is our time. I have a new appreciation for RAW and being able to come home and change things in Lightroom. Even as someone that isn’t a fan of spending forever editing, it’s nice to be able to.

That said, I like the results. I generally don’t shoot black and white, but I think I’m going to go out a few times and just shoot in black and white. I really, really love this 50mm lens. I’m looking for an Olympus to L Mount adaptor so I can use it on my S9 when it arrives.

So, it’s nice to know the camera works, and I will use it. But, given the cost I can;t see me shooting more than one film a year.

Mount(ed) Olympus

I am all about Olympus at the moment. I’ve had another go at fixing my Olympus OM10 (1979) Film Camera. I think I may have got it working, so I’ve got a roll of Ilford black and white film in there. I think when I send it in for developing I better add a note saying ‘please don’t judge this photographs, I just snapped any old crap to get through the roll’. Fingers crossed this time it works.

I also had an Olympus OM-D E-M10 (why did they use such long names?) for a couple of days from MPB. Aesthetically it was a really nice looking camera, but I hated the menus. I hated them so much that I think it has put me off Olympus for life. That said, I am thinking of a new camera as my G9 is getting quite old now (although it’s still a very, very good camera), and I like the OM Systems OM-5 (on paper). But, I’m also thinking of going to full frame, either Sony or Canon.

I’ve added a couple of new lenses to my gear over the last few weeks. An Olympus 17mm f2.8 which was so cheap I couldn’t say no. I got this primarily for my GM1/5 cameras for things like weddings and parties. I never want to take my very expensive Leica 15mm to those kind of things, so this was a decent alternative at a similar focal length. I also got the Olympus 45mm f1.8. I got this mostly because I couldn’t figure out how that focal length would be useful on an M43 system. But, I have to say (for the money) it is an incredible lens, and has probably made it straight into my top 3 lenses. It’s very sharp and the bokeh is incredible. I haven’t used it outside of the house yet, but we’re heading to Northumberland for a few days so it will be a good place to get some time with it.

Getting Into Film (again)

A few years ago I bought myself a second hand Olympus OM10 (1972) with a 50mm lens. Then, forgot all about it, and it’s been sat in a box for around ten years. As it’s coming up to autumn and the best time of year for photography I thought I’d dig it out.

After putting a couple of new batteries in I was pleased to find that everything still works. All I need is some film, which is a lot more expensive these days. With that in mind, I’ll be much more selective about what I photograph. The thing I’m looking forward to the most is not knowing how the images look until the films comes back from the lab.

I’m heading to the Lake District tomorrow, and won’t be taking this with me, but something to look forward to when I get back.