The Great British Seaside, and the Fuji X100vi

A Quick Note – I lost the original images featured in this post when I accidentally formatted the memory card, so I wasn’t going to write it. In the end I’ve gone ahead, but I’ve had to use the Instagram copies, which is why they don’t look great.

Over the last year or so I’ve moved away from landscape photography. It’s something I’m still really interested in, and still enjoy. But, the reality is I live somewhere that isn’t very landscape-y. So, I’m trying other things, one of them being street photography.

I have always been nervous about trying street photography. Mostly, I’ve been worried about someone being upset about me taking their photo, either intentionally or not. I don’t know why, I’ve had my photo snapped a fair amount when we’ve been in York and I’ve never been upset by it, but some people can be funny. But, an impromptu Wednesday night trip to Scarbrough a few weeks ago and a new camera were a good motivation to give it a go.

The first thing I learned – walking a dog whilst trying to take photos doesn’t work. Especially if you already have vision issues making getting around challenging. The second thing I learned, my wife would rather I didn’t take photos when she’s around.

A camera in one hand and a dog in the other makes for a slightly blurry image.

This was the first time I used my new camera. I didn’t realise I had the in built ND filter turned on, so that slowed the shutter speed down and related in blurry images. Thanks a lot eyes….

I decided to shoot solely in JPEG, after all one of the points of the new camera was less time messing around editing. I’m pleased to say, it worked for me. There was a bit of cropping here and there, but that’s it. I mostly used a ‘recipe’ (I hate that term in this context) from Fuji X Weekly, which is a great resource for finding film simulations that aren’t already built in to the camera. In this instance I mostly used Vibrant Arizona (inspired by the Wes Anderson film, Asteroid City), which is a look I’ve really like since I saw the film.

I wish I’d have straightened the telescope before I took this.

I was stressing about manually adding recipes to the X100, but it’s actually fairly easy. Once you’ve changed one the rest come fairly easy. That said, I do want to spend more time taking photos with the in build simulations, but Scarborough was made for this recipe.

By this point I’d figured out my camera settings were shit

It turns out people don’t care if you’re taking photos. I think they assume they’re not in the frame. It helps that this camera has a small profile and doesn’t have a massive lens sticking out of the front.

Speaking of the lens. The biggest worry I had about moving to this camera was a fixed focal length. In this instance, the 23mm (35mm full frame equivalent) was perfect, and the 40MP sensor allows for a lot of cropping if needed. It will be interesting to see how I feel about actual landscape photography with this focal length.

Instagram compression has killed this one….

The one thing I don’t like about this camera (and there is only one thing), the front dial is too close to the on off switch. I kept changing the shutter speed instead of turning the camera off, or vice versa.

I didn’t like these stair either.

What did I learn on this trip? Always take the right glasses. Always. Check your camera settings with the right glasses on, so you can actually see them. Don’t format the SD card until you have copied the images to the network drive. Dogs or wives and cameras don’t mix. Street photography isn’t scary.

On that last point, street photography isn’t scary. I did kind of enjoy it, but I don’t think it’s something I would set out specifically to go and do. I still think that what I enjoy capturing the most lies somewhere between landscape photography and documentary style photography. Something that shows the human relationship with the natural world rather than towns and cities. Maybe.

This was my first outing with the Fuji X100vi, and yes, I still love it. I’ve spent the weeks since this going over the camera and learning where everything is. I’ve changed the function buttons around 87 times, and think I’m finally settled on them.

I think I’m at the point now where I feel confident enough to go out and really enjoy using it.

Negatives, and Positives. Using Film.


Back in March I had another go at fixing my 1970s’ OM10. The winding mechanism wasn’t moving properly, but I got it going and popped in a roll of Ilford film I had knocking around the house.

I didn’t invest a lot of time in taking photos with it as I wasn’t 100% sure I’d got it working. So, it’s mostly snaps of the dogs – they’re such good models!

Thankfully, it’s working and this time I got some actual images back. There were some valuable lessons in there. Firstly, the film ISO is important. I didn’t think about that and just assumed something at 400 ISO would suit most situations, but this particular film seemed more suited for darker lighting conditions. There’s a lot of grain where the images are bright. Next, (and this should have been obvious), no RAW for editing means that you really have to get a lot right in camera.

The biggest lesson – film photography is expensive. A 36 exposure film is around £10, developing is anywhere between £15 and £20. That’s up to £35 for a roll of film. Another reason you can’t afford to go wrong.

We’re so lucky to live in a time where digital photography exists. We can afford to mess up, and the only thing we will waste is our time. I have a new appreciation for RAW and being able to come home and change things in Lightroom. Even as someone that isn’t a fan of spending forever editing, it’s nice to be able to.

That said, I like the results. I generally don’t shoot black and white, but I think I’m going to go out a few times and just shoot in black and white. I really, really love this 50mm lens. I’m looking for an Olympus to L Mount adaptor so I can use it on my S9 when it arrives.

So, it’s nice to know the camera works, and I will use it. But, given the cost I can;t see me shooting more than one film a year.

Unconventional Photography: Discovering Beauty in Familiar Landscapes

Whenever I watch my favourite Youtube Photographers (Thomas Heaton, James Popsys, Emily Lowry etc) they’re often off on some grand adventure to some amazing location to photograph something spectacular. That’s not really an option for the majority of photography enthusiasts. I’d bet most of us live somewhere boring? Other than the odd trip to the more scenic parts of the UK, I am usually stuck here in the flattest part of Yorkshire. No mountains, or hills, no cliffs, canyons, no beach, just miles and miles of flat farm fields, the odd tree, ditches and canals. But, despite all that I still love going out with my camera. And, I think anyone interested in photography should go out and photograph where they live and not just the cool places.

I bet there are millions of photos of Bamburgh Castle at dawn, or the Old Man of Store on Skye, but how many photos are there of these cows, in this field, with those pylons in Doncaster are there?

How many photos have been taken of the river Don with this gate and the houses in the background?

Some boring train gates that have never been photographed before (probably), because why would you?

Am I seriously suggesting that these locations are as good as the Lake District, or the Isle of Harris? Well, no. But, they are important because these are the places we really live and work. They’re where we spend our lives, and they’re our reality. They should be photographed just as much as the ‘cool’ places because they are our real history. What’s more, they’re challenging to photograph and make something interesting from, which makes it fun. I think most people could take a great photo using their iPhone at sunrise on a great beach, or a great mountain.

Going local gives us a chance to experiment and grow. I find it lets me slow down because I’m not in a rush to get to the destination. Try different lenses, and filters. Mess around with shutter speed and apertures. Go out at different times of day, not just golden hour. The photos I’ve added to this post were all taken at the brightest part of the afternoon, so I messed about with them in Lightroom until I was happy with how they looked. It’s a great way to learn.

I challenge people to try and take a great photo of something that’s ‘normal’ and every day to them, where they live. Go for a walk, or get on your bike and see what you can find. I bet you’ll enjoy the process.

Cut Short

Last weekend should have been a long one, away in Northumberland. But, for reasons I won’t go into our stay was cut short to one day, and a very early departure for home on day two. My hope was to go out early on day two and get some sunrise photos along the coast. but, sometimes life gets in the way.

So, all I have is ‘snaps’ taken on a dull day with my GM5 and the ever trusty 12-32 Panasonic lens.

The couple on the bench is my favourite. What were they talking about? Were they looking out to the horizon planning their future? How many other couples had sat on the bench and done the same thing? The empty bench to the left serving as a reminder that our time on earth is brief.

Looking ahead, the weather here is good. Time for some walks and bike rides. I’m trying to plan a return trip to Spurn Point too, and I want to write about the way I’m editing images at the moment, and why.

The Smell of Summer

Isn’t it great when the weather breaks and it finally feels like winter has gone? That’s where we’re at now in my part of the world. With it comes the smell of summer. I can’t quite describe it, and it’s probably different all over the planet, but it’s the smell of everything growing back; the blossom, the grass, the leaves. I went for a bike ride after work yesterday, and the smell was there. It just made me smile.

The best thing about having an electric bike is that I can cover twice the distance in half the time. So, I’m getting a chance to explore further than I used to, and find loads of new places. So, yesterday I took my GX80 and my Leica 15mm for a ride.

Lumix GX80, Leica 15mm f3.5 1/1000 sec, ISO500

There are so many roads like this around me. Single lane, quiet, and moss growing down the middle due to lack of use. I really like this image. The light on the leaves in the tree canopy makes it for me, and the way the road curves away at the end. For editing I tried to go down that Asteroid City look. I wasn’t a fan of the film, but the colour grading is fantastic. It’s like a muted pastel kind of thing. I think I got fairly close?

Lumix GX80, Leica 15mm f6.3 1/100 sec, ISO200

My current obsession is humanity meeting nature. This image fits in with that, showing an abandoned building being grown through by trees. I have no idea what this building was. A lot of this area was taken up by an airbase during World War 2, so it might be a remnant of that.

Lumix GX80, Leica 15mm f6.3 1/160 sec, ISO200

This is a bit naff. But, at the time I saw something in it, so I’m sharing it. Maybe I’ll go back and try and figure out what it was. Not every image is a keeper.

Lumix GX80, Leica 15mm f5.6, 1/640 sec, ISO200

Another one I’m not 100% happy with and will go a retake. I want the tree in the middle of the two closer trees framing it. I probably need to take my 12-60 so I can get a better range of shots. I still quite like this though.

Next stop, Northumberland. I can’t wait.

Mount(ed) Olympus

I am all about Olympus at the moment. I’ve had another go at fixing my Olympus OM10 (1979) Film Camera. I think I may have got it working, so I’ve got a roll of Ilford black and white film in there. I think when I send it in for developing I better add a note saying ‘please don’t judge this photographs, I just snapped any old crap to get through the roll’. Fingers crossed this time it works.

I also had an Olympus OM-D E-M10 (why did they use such long names?) for a couple of days from MPB. Aesthetically it was a really nice looking camera, but I hated the menus. I hated them so much that I think it has put me off Olympus for life. That said, I am thinking of a new camera as my G9 is getting quite old now (although it’s still a very, very good camera), and I like the OM Systems OM-5 (on paper). But, I’m also thinking of going to full frame, either Sony or Canon.

I’ve added a couple of new lenses to my gear over the last few weeks. An Olympus 17mm f2.8 which was so cheap I couldn’t say no. I got this primarily for my GM1/5 cameras for things like weddings and parties. I never want to take my very expensive Leica 15mm to those kind of things, so this was a decent alternative at a similar focal length. I also got the Olympus 45mm f1.8. I got this mostly because I couldn’t figure out how that focal length would be useful on an M43 system. But, I have to say (for the money) it is an incredible lens, and has probably made it straight into my top 3 lenses. It’s very sharp and the bokeh is incredible. I haven’t used it outside of the house yet, but we’re heading to Northumberland for a few days so it will be a good place to get some time with it.

Dry At Last

We’ve finally had a couple of dry days, which is a much needed relief from the rain. Just in time too as I get my eyes injected later today. The rain has seemed relentless and what started out as an encouraging year has been a wash out so far. We’re hoping to go our to the coast later in the week when my eyes have cleared again, and we’re going home to Northumberland in a couple of weeks, which I’m really excited about.

In the mean time – a couple from todays dog walk. These were all taken on my Lumix GM5 with the Leica 15mm.

Out of Action Again

More trouble with my eyes and trips to the hospital mean I’ve been out of action for a good few weeks now. So, no new photographs. I’m getting back to normal (for me) now, and managed to get out for some longer walks and a bike ride over the last few days and I can’t start looking at screens again. With no new photos to post it’s time to write about my new gear,



As I mentioned in my last blog, I’ve got my hands on a Lumix GM5 at long last. An absolute bargain too at £60 with. 12-32 lens. It’s boxed, and almost as good as new. Looking in charity shops does pay off sometimes as GM5s on eBay are generally going for over £500.

I’ve gone on and on many times about how much I love my GM1, and how much it’s still my favourite camera despite its age and limitations. And, it still is – although I think a lot of that is sentimental now. The GM5 is pretty much exactly the same, but with an all important viewfinder. As someone with one (not great) eye, a viewfinder is invaluable, especially in bright sunlight.

The other advantage is much improved shutter/aperture control wheel on the camera. The GM1 has a pretty naff dial on the back, the GM5 has a wheel. You press the wheel to switch between shutter speed and aperture. But, with the Penny Leica 15 mm, you can have it set to shutter speed as the lens has aperture control, which is how I prefer to use it.I wish all lenses still had a aperture control on them.

So far, I’m really pleased with this camera. The photos are great, it’s easy to use, and has all the bells and whistles I need in the smallest possible package, which is what I want.

Talking of small packages…. I’m keen to keep all of my gear as small as possible. That’s why I’ve stuck with micro four thirds for all these years. I don’t want to lug big, heavy loads around. With that in mind, I made another new purchase – a new drone. I’ve had a log of drones, the first was the DJI Phantom – which was mind blowing at the time, but it was absolutely huge and not remotely practical for photography. Then a succession of DJI Spark, Mavic Air, and Mini 3 Pro. The last one was a fantastic bit of kid, but still took too much bag space and was fiddly to set up. I really wanted something that could fly itself. Which is what I now have.

It’s about the size of my phone when folder, but a little fatter. No controller, everything is automated. The flight modes are easy to use. It’s exactly what I want. Something to follow me on my bike, and to make fun videos on days out and holidays. It’s not for making cinematic videos.

We’re into Spring now, my eyes are on the mend. Just need the weather to dry out a bit so I can get out and take some photos.

Spurn Head

Another photographic trip to the coast. This time to Spurn Head in East Yorkshire, which in my mind was only an hour away as I thought it was just on the other side of Hull. It isn’t. Spurn Head is actually twice as far away as Hull, and a good couple of hours away down lots of windy roads. So, I wasn’t very popular for getting that one wrong. It was a beautiful sunny day, and unseasonably warm. Shorts, a t-shirt, and flip flops would have done (I’m not kidding).

I loved the light. I’m a fan of shooting into the sun. (GM5 Leica 15mm)

For those that don’t know (including me) Spurn Head is a nature reserve and ‘an iconic and constantly moving peninsula which curves between the North Sea and the Humber Estuary’. The main point of interest (for me) from a photography point of view was the lighthouse. Built in 1895, it has been guiding sailors around the East Yorkshire coastline for over 90 years, until it was decommissioned in 1985. It’s open to the public and you can take a tour around it (I didn’t).

The Spurn Point Lighthouse from the visitors centre (Lumix GM5. Panasonic 45-150)

A trip to the lighthouse will take some planning as it’s only accessible by foot on a three mile walk and you can only cross when the tide is out. It’s not somewhere you want to get stuck on a cold February night. So, finding a time when the tide is out that coincides with sunrise or sunset can be challenging. The BBC provide tide times here https://www.bbc.co.uk/weather/coast-and-sea/tide-tables/3/171 The walk itself was hard at times. A lot of it is over sand, and it’s very soft sand. So, for some people a six mile walk might be tricky. As it’s a nature reserve dogs aren’t allowed. There is a stretch of sand further north up the coast where you can tale you r dogs though.

On to the photography bit. I took my new (to me) Lumix GM5. (Yes, I finally found one at a price I could afford and I’ll write about it next week). With that I took the worlds best lens, the Panasonic Leica 15mm and my Panasonic 45-150mm zoom (how do they make it so small?) I also took a 12-32, because it’s so small and a decent back up.

About half way point on the walk. Still a long way to go. (GM5 Leica 15mm)

As ever, the colour on the Leica 15mm is lovely. Not a lot of editing required, mostly just cropping. It’s such a good pairing with the GM camera because it has an aperture ring on the lens. Given the size of the cameras only allow for one dial (the GM5 is much better positioned) it means you can use that for shutter speed. I wish all lenses were like this.

There wasn’t really anything to use as a subject, but I couldn’t ignore the light on the grass. Maybe the light is the subject? (GM% Leica 15mm)

As I (finally) got closer to the lighthouse the sun had started to drop. I was worried about the lack of stabilisation in the camera, but the lens has it and the results were good despite the wind.I didn’t want to make the 3 mile return walk in the dark, it had been hard enough in the light. Then I started stressing that the tide might come in, even thought I’d checked it numerous times.

GM5 Leica 15mm

As I wondered around I’d wished I’d spent more time learning my way around the camera. I hadn’t had time though as I’d had eye injections earlier in the week, so seeing had been an issue. That said, I’m pleased with the images I got. The conditions were kind to me, and the Gm5 did really well considering the fading light.

My last, and favourite shot of the day. I got lucky with the sunset and the wind had died down. It could be summer. I did take another from down on the beach, but there was a lot of human rubbish on the beach. Sadly.

I wish I’d have spent a bit more time looking for an angle that cut out the auxiliary buildings. (GM5 Leica 15mm)

So, a bit of a slog. The very soft sand makes it hard work. Probably not somewhere I’d rush back to as it’s ruined by humans. There was so much rubbish that had been blown on to the reserve, or washed up. It was depressing to see such a wonderful place ruined by people (again). We really are killing our own home. A cancer on our home planet. Maybe I need to photograph that?

A quick snap from my phone I was walking back.
Another phone snap. I liked the light and colours.

An Unexpected Trip

I was supposed to be spending the weekend house bound, but my eye injections being cancelled until tomorrow meant an unexpected trip to the coast on a cold, windy and very early Sunday morning start. Unfortunately the tide was in, so it was a walk along the cliffs at Flamborough. The sun was just creeping up as we arrived. Thankfully I took my tripod, the wind and shivering would have meant shaky hands.

The ‘Drinking Dinosaur’ – Lumix G9, Leica 12-60, HDR Merge

The seals on the beach were a lovely surprise. I didn’t notice them at first. We had to use torches (ace for a bloke with one eye) to get to this point.

And, that was that. There’s nothing here that hasn’t been photographed a millions times, so a bit of a walk then off for breakfast. Short, but sweet and nice to be out when I wasn’t expecting it.